Farah Khan's and Shah Rukh's second collaboration following Main Hoon Na, is a gloriously entertaining film from the word go.
Sekhar Kammula's Happy Days bring back memories of college life. This clean entertainer has good characterisation and natural performances by the debutantes and others.
Speed-obsessed drivers used to have to shell out big bucks for high performance. Want to go zero to 60 mph in 2.46 seconds? That'll be $1.5 million for a Bugatti Veyron, please.
In conversation with the creator of Yamadonga.
Composer Mithoon does well with his first complete soundtrack.
The father of the Green Revolution explains how the genetically-modified version of brinjal may kill biodiversity.
A review of the Jessica Hines book, Looking for the Big B: Bollywood, Bachchan and Me.
There exists a strange disconnect in the developed world between the offer of money and the provision of services.
The Aussie coach has said that the run out of Martyn was no issue within the team although the on-field confusion between the batsman and Waugh was not needed.
Films, advertisements and books are going black and white. Are we looking at the new colours of the season?
Magsaysay awardee Aruna Roy tells Sreelatha Menon that she is ready to chase a new dream, a School for Democracy.
From their first meeting to the last, Dev Anand etched himself on Dinesh Raheja's heart and mind.
Devgan decidedly has some way to go as a director, especially visually. There is no consistency to the basic style of the film as split-screens and transitions happen at will, as do suddenly stylised establishing shots. Yet look at the content: this is a sensitively handled film, using actors with well-herded restraint. And if a director can make you tear up with this much sincerity, he must be on the right track.
Taare Zameen Par is an impressive debut indeed for filmmaker Aamir Khan, and showcases a brilliant performance by the young Darsheel Safary.
Farah Khan's latest film is heavily flawed but still fun.